Voice and Piano
Christine Reber, Soprano
Babette Hierholzer, Piano
Programme
- Clara Schumann
- Robert Schumann,
- Chopin - Viardot,
- Liszt
- Catalani,
- Boito
- Puccini
Bios
Christine Reber
A fresh, exciting presence on the international vocal scene, Ms. Reber is enjoying a fast-developing career with acclaim-winning performances throughout the United States and her native Germany.
Among Ms. Reber’s notable recent appearances – In the U.S. a song recital and concert at the Kosciuszko Foundation New York (NYC, NY) as well as at Kaatsbaan International Dance Center (Tivoli, NY); a benefit for Dolphin Aid Miami (FL); and two concerts honoring the new German Consul General in the same city, as well as celebrations on 20 years of the fall of Berlin wall in October 2009. Performances as soloist with the Bach Society of Houston, Texas and the Monmouth Civic Chorus New Jersey. In Germany: she was featured at the Lake Constance Modern Arts Festival, and a concert series celebrating composers from Leipzig (Ch. Graupner, J. Kuhnau, J.S. Bach) in Stuttgart and several oratorios and cantatas at Stiftskirche Tübingen.
Furthermore, for musical engagements in opera and concert Christine Reber travelled to Switzerland, Italy, France and Canada.
Recently Christine Reber could be heard and seen on German television, as well as radio, giving interviews and singing operette and opera at beautiful Ludwigsburg palace.
Ms. Reber is a favorite soloist with orchestra at the annual summer outdoor galas (accompanied by fireworks) in Reutlingen, Germany, and received critical praise for “a glowing, brilliant voice which displays its beauty free of technical limitations.” She has performed such masterworks as Bach’s B minor Mass and Christmas Oratorio, Mozart’s c-minor mass, Beethoven’s Ninth Symphony, and Brahms’s German Requiem.
As an operatic artist, she sang the role of Pamina in The Mannes Opera’s 2003 production Mozart’s The Magic Flute, at New York’s Kaye Playhouse, conducted by Joseph Colaneri of The Metropolitan Opera. In 2002, she sang Romilda in Handel's Xerxes and the Countess in Mozart’s Le nozze di Figaro with San Francisco’s Bay Area Opera Theater. With the Freiburg (Germany) University of Music Opera, she sang major roles in Ernst Toch’s The Princess and the Pea, Britten’s Albert Herring and Cimarosa’s Il matrimonio segreto.
In New York, Ms. Reber has performed at such prestigious venues as Goethe Institut-New York, the Union Club, the New School for Drama Theater, and the French and German Consulate. In 2006 she participated in a memorial service for the victims of 9/11 at St. Paul’s Church that was broadcast on German and Austrian national television.
Ms. Reber holds three degrees in opera, vocal pedagogy, and Lieder/Oratorio from the Freiberg University of Music, and a Professional Studies Diploma from New York’s Mannes College of Music. She was recipient of the 2005 Achievement Award for Artistic Excellence from the New York German Forum. For the past three summers, she has pursued her vocal studies with opera legend Regina Resnik at an exclusive voice seminar near Venice, Italy.
Babette Hierholzer
Pianist Babette Hierholzer's debut with the Berlin Philharmonic in 1978 was followed by numerous performances with this famed orchestra, led by renowned conductors Klaus Tennstedt, Sir Colin Davis, Leopold Hager, and Semyon Bychkov. Ms. Hierholzer has performed extensively in recital and chamber music, and as soloist with orchestras in most of the countries of Europe, the United States, South America, and Africa. In 1986, she gave her American debut with the Pittsburgh Symphony playing the Liszt Concerto No. l. Other engagements have included the Philharmonic Orchestra Kiel, Philharmonic Orchestra Ulm, Hamburg Symphonic Orchestra, touring with the Nordwest‑deutschen Philharmonic, Orquestra Sinfonica Bilbao, Festival International de Bordeaux, and the Krakow Philharmonic Orchestra. In May 1993, she performed the Liszt Concerto No. 1 with the Orquesta Sinfónica de Chile; in June 1993, she performed the same work with the Staatskapelle in Berlin, Paavo Berglund conducting. In 1994, she performed the Clara Schumann Piano Concerto with the St. Louis Symphony during its Summerfest, and made her Canadian debut with the Saskatoon Symphony. In 1996 she again performed the Clara Schumann concerto with the Winnipeg Symphony and the Berlin Symphony. In January 1997, she performed the Robert Schumann Concerto with the Orquesta Sinfónica de Maracaibo and the Orquesta Sinfónica de Merida.
Ms. Hierholzer has made a number of recordings with MARUS/EMI Electrola playing works by Schumann (including the recently discovered Exercises, variations on a theme by Beethoven), Couperin, Debussy, Mozart, and Scarlatti: Sonatas Vols. 1, 2 and 3. Her most recent releases were a CD of posthumous works of Franz Schubert, and "Music for Children", Kinderszenen. She performed the sound track and the double/stand‑in role for Clara Wieck (Nastassia Kinski) in Peter Schamoni's movie Spring Symphony, about the life of Robert Schumann.
Babette Hierholzer has won numerous first prizes in international competitions, including the Steinway Piano Competition, in Berlin, seven times; the All German National Piano Competition, twice; first prize in the "G.B. Viotti" Concorso Internazionale di Musica in Vercelli, Italy; the Medaille d'Argent of the Festival International des Jeunes Solistes in Bordeaux, France; first prize in the Joanna Hodges International Piano Competition plus the prestigious Andy Petlansky Memorial Award in Palm Springs. In February 1992 she played her New York debut recital as winner of the East & West Artists Prize for New York Debut.
Born in Freiburg, Germany, Ms. Hierholzer had her first piano lessons at the age of five with Elisabeth Dounias‑Sindermann and Wolfgang Saschowa in Berlin, making her first public appearance at the age of eleven in the Philharmonic Hall in Berlin, playing Mozart's Concerto K. 488. She then studied with Herbert Stessin at The Juilliard School, Precollege Division, in New York, with Paul Badura‑Skoda at the Folkwang‑Hochschule, Essen and in Vienna, with Maria Tipo in Florence, and with Bruno Leonardo Gelber in Buenos Aires. She was awarded scholarships by the Study Grant of the German People and Oskar and Vera Ritter‑Stiftung.
Recent performances include appearances with the Shreveport Symphony Orchestra, the DeKalb Symphony in Atlanta and Orquesta del Nuevo Mundo in Mexico City. Previously, she stepped in for Horatio Gutierrez in a recital in Berlin's Philharmonic Hall.
Ms. Hierholzer played the opening concert of the season with the South Carolina Philharmonic, playing Liszt No. 1, conducted by Nicholas Smith. On 11 November 2001, she played a recital at the Frick Collection in New York City on very short notice and this season she returned to perform at the National Gallery of Art in Washington DC, with a recital of music by Clara and Robert Schumann. Babette Hierholzer is the Artistic Adviser to the GERMAN FORUM.
www.babettehierholzer.com
